![[ENG] Of Men, and Music and Dance ─ Looking into the Soul of John Neumeier](https://static.wixstatic.com/media/eafaa9_46ea5bcccb904279a749a00f4bbd237c~mv2.jpg/v1/fill/w_374,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/eafaa9_46ea5bcccb904279a749a00f4bbd237c~mv2.webp)
![[ENG] Of Men, and Music and Dance ─ Looking into the Soul of John Neumeier](https://static.wixstatic.com/media/eafaa9_46ea5bcccb904279a749a00f4bbd237c~mv2.jpg/v1/fill/w_343,h_229,fp_0.50_0.50,q_90,enc_avif,quality_auto/eafaa9_46ea5bcccb904279a749a00f4bbd237c~mv2.webp)
[ENG] Of Men, and Music and Dance ─ Looking into the Soul of John Neumeier
Bernstein Dances from The World of John Neumeier; Choreographer: John Neumeier; Photo: Kiran West “My world is dance,” said the Hamburg...
![[ENG] February Highlights](https://static.wixstatic.com/media/eafaa9_372d19d542f245a49e38997455539476~mv2.jpg/v1/fill/w_374,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/eafaa9_372d19d542f245a49e38997455539476~mv2.webp)
![[ENG] February Highlights](https://static.wixstatic.com/media/eafaa9_372d19d542f245a49e38997455539476~mv2.jpg/v1/fill/w_343,h_229,fp_0.50_0.50,q_90,enc_avif,quality_auto/eafaa9_372d19d542f245a49e38997455539476~mv2.webp)
[ENG] February Highlights
Rice from Cloud Gate Dance Theatre of Taiwan – The 45th Anniversary Gala Programme by Cloud Gate Dance Theatre; Choreographer: Lin...
![[ENG] An informative performance, but what remained unsaid?](https://static.wixstatic.com/media/eafaa9_65d9d3c6f4e249b0b75d090999e812b7~mv2.jpg/v1/fill/w_444,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/eafaa9_65d9d3c6f4e249b0b75d090999e812b7~mv2.webp)
![[ENG] An informative performance, but what remained unsaid?](https://static.wixstatic.com/media/eafaa9_65d9d3c6f4e249b0b75d090999e812b7~mv2.jpg/v1/fill/w_343,h_193,fp_0.50_0.50,q_90,enc_avif,quality_auto/eafaa9_65d9d3c6f4e249b0b75d090999e812b7~mv2.webp)
[ENG] An informative performance, but what remained unsaid?
From Starting to Cut the Wood; Concept: Katie Engel in collaboration with the artistic team; Performer: Ari Ersandi; Photo: Faozan Rizal...
![[ENG] A Tap Dance Musical — Entertainment for All](https://static.wixstatic.com/media/eafaa9_7dfee8e21c624f2ba6429aaf40c236e5~mv2_d_5120_3413_s_4_2.jpg/v1/fill/w_374,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/eafaa9_7dfee8e21c624f2ba6429aaf40c236e5~mv2_d_5120_3413_s_4_2.webp)
![[ENG] A Tap Dance Musical — Entertainment for All](https://static.wixstatic.com/media/eafaa9_7dfee8e21c624f2ba6429aaf40c236e5~mv2_d_5120_3413_s_4_2.jpg/v1/fill/w_343,h_229,fp_0.50_0.50,q_90,enc_avif,quality_auto/eafaa9_7dfee8e21c624f2ba6429aaf40c236e5~mv2_d_5120_3413_s_4_2.webp)
[ENG] A Tap Dance Musical — Entertainment for All
Brothers & Sisters Tap on Fire by Rhythm & Tempo; Choreographer: Ken Kwok; Dancers (from left): Ling Tse, Ken Kwok (back), Shek Wai Lam...
![[中] 上上落落、過大街、穿小巷 —
記香港藝術節加料演出《舞城遊蹤》](https://static.wixstatic.com/media/eafaa9_85a5294f43cb489a976411dd1557f63d~mv2_d_3952_2635_s_4_2.jpg/v1/fill/w_374,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/eafaa9_85a5294f43cb489a976411dd1557f63d~mv2_d_3952_2635_s_4_2.webp)
![[中] 上上落落、過大街、穿小巷 —
記香港藝術節加料演出《舞城遊蹤》](https://static.wixstatic.com/media/eafaa9_85a5294f43cb489a976411dd1557f63d~mv2_d_3952_2635_s_4_2.jpg/v1/fill/w_343,h_229,fp_0.50_0.50,q_90,enc_avif,quality_auto/eafaa9_85a5294f43cb489a976411dd1557f63d~mv2_d_3952_2635_s_4_2.webp)
[中] 上上落落、過大街、穿小巷 — 記香港藝術節加料演出《舞城遊蹤》
今年香港藝術節有不少有趣演出,其中《舞城遊蹤》(Choreography Walk)就是一例。這個由擅於把日常生活動態轉化成舞蹈的加拿大藝術家賈絲汀.A.錢伯斯(Justine A. Chambers),聯同其跨媒介製作人丈夫喬希.海特(Josh...
![[中] 「𪘬齴」作為方法
──淺評《岌岌可危》](https://static.wixstatic.com/media/eafaa9_f208885914a84882b594b06aaf76eba4~mv2_d_5000_3333_s_4_2.jpg/v1/fill/w_374,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/eafaa9_f208885914a84882b594b06aaf76eba4~mv2_d_5000_3333_s_4_2.webp)
![[中] 「𪘬齴」作為方法
──淺評《岌岌可危》](https://static.wixstatic.com/media/eafaa9_f208885914a84882b594b06aaf76eba4~mv2_d_5000_3333_s_4_2.jpg/v1/fill/w_343,h_229,fp_0.50_0.50,q_90,enc_avif,quality_auto/eafaa9_f208885914a84882b594b06aaf76eba4~mv2_d_5000_3333_s_4_2.webp)
[中] 「𪘬齴」作為方法 ──淺評《岌岌可危》
標榜為「香港本土90後表演藝術團體」的Voy Arts Ensemble 旅藝團(下稱:Voy),成立雖短短幾年,但見其活躍的程度,也恰好證明這是一個充滿活力的藝術團體。Voy一直熱衷於與不同領域和各類型的藝術家、編舞合作,而他們尤以舞蹈表演為主。而最近Voy邀得前城巿當代...
![[中] 街道消失了,如何舞下去?—看《THE BOX- Street Style Lab》有感](https://static.wixstatic.com/media/eafaa9_0253289cfb934205942520e932287f74~mv2_d_4016_6024_s_4_2.jpg/v1/fill/w_167,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/eafaa9_0253289cfb934205942520e932287f74~mv2_d_4016_6024_s_4_2.webp)
![[中] 街道消失了,如何舞下去?—看《THE BOX- Street Style Lab》有感](https://static.wixstatic.com/media/eafaa9_0253289cfb934205942520e932287f74~mv2_d_4016_6024_s_4_2.jpg/v1/fill/w_343,h_515,fp_0.50_0.50,q_90,enc_avif,quality_auto/eafaa9_0253289cfb934205942520e932287f74~mv2_d_4016_6024_s_4_2.webp)
[中] 街道消失了,如何舞下去?—看《THE BOX- Street Style Lab》有感
街舞是一種能體現街頭文化的舞蹈,是城市風景的一種。舞者在街上排練,旁人駐足而觀,被舞者忘我投入的舞姿吸引,愈看愈熱血沸騰,更有加入一起熱舞的衝動。這次街舞走入劇場,就像混合了街舞元素的當代舞,作品內容思想深化,少了乾脆,添了巧思,此消彼長。整體來說,演出是出乎意料地好看,...
![[ENG] Dancing the Battle of Chulocock: Yang Yuntao’s dramatic choreography for Calming the Chaotic S](https://static.wixstatic.com/media/eafaa9_d4c0576d8b994c1fab3168f8af2bf3bc~mv2_d_2880_1920_s_2.jpg/v1/fill/w_374,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/eafaa9_d4c0576d8b994c1fab3168f8af2bf3bc~mv2_d_2880_1920_s_2.webp)
![[ENG] Dancing the Battle of Chulocock: Yang Yuntao’s dramatic choreography for Calming the Chaotic S](https://static.wixstatic.com/media/eafaa9_d4c0576d8b994c1fab3168f8af2bf3bc~mv2_d_2880_1920_s_2.jpg/v1/fill/w_343,h_229,fp_0.50_0.50,q_90,enc_avif,quality_auto/eafaa9_d4c0576d8b994c1fab3168f8af2bf3bc~mv2_d_2880_1920_s_2.webp)
[ENG] Dancing the Battle of Chulocock: Yang Yuntao’s dramatic choreography for Calming the Chaotic S
Calming the Chaotic Seas; Playwright: Mandu; Choreographer: Yang Yuntao; Actors and actress (from left): Christopher Ying, Pak Ching...
![[中] 《大亨小傳》編排精細手法流暢](https://static.wixstatic.com/media/eafaa9_f40dbff37f6945bc9603bdd9cbe54e71~mv2_d_4394_2911_s_4_2.jpg/v1/fill/w_378,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/eafaa9_f40dbff37f6945bc9603bdd9cbe54e71~mv2_d_4394_2911_s_4_2.webp)
![[中] 《大亨小傳》編排精細手法流暢](https://static.wixstatic.com/media/eafaa9_f40dbff37f6945bc9603bdd9cbe54e71~mv2_d_4394_2911_s_4_2.jpg/v1/fill/w_343,h_227,fp_0.50_0.50,q_90,enc_avif,quality_auto/eafaa9_f40dbff37f6945bc9603bdd9cbe54e71~mv2_d_4394_2911_s_4_2.webp)
[中] 《大亨小傳》編排精細手法流暢
《大亨小傳》是香港芭蕾舞團的藝術總監衛承天八年前在美國華盛頓芭蕾舞團時的創作,取材費茲傑羅的「大美國小說」,《大亨小傳》反映了新舊經濟帶來的衝擊、社會與道德價值的瓦解,以及人們對空虛享樂的盲目追求。此作人物多、關係亦複雜,衛承天流暢的編排和清晰的處理手法,把複雜的人物關係有...
![[中] 香港舞蹈團《絲路如詩》編排富創意](https://static.wixstatic.com/media/eafaa9_90455bb3eebb4210baf7423f12ef355f~mv2_d_3072_4608_s_4_2.jpg/v1/fill/w_167,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/eafaa9_90455bb3eebb4210baf7423f12ef355f~mv2_d_3072_4608_s_4_2.webp)
![[中] 香港舞蹈團《絲路如詩》編排富創意](https://static.wixstatic.com/media/eafaa9_90455bb3eebb4210baf7423f12ef355f~mv2_d_3072_4608_s_4_2.jpg/v1/fill/w_343,h_515,fp_0.50_0.50,q_90,enc_avif,quality_auto/eafaa9_90455bb3eebb4210baf7423f12ef355f~mv2_d_3072_4608_s_4_2.webp)
[中] 香港舞蹈團《絲路如詩》編排富創意
《頂碗舞》;編舞:帕夏.吾曼爾;攝影:張志偉 香港舞蹈團二月底在葵青劇院演出民族舞蹈匯演《絲路如詩》,筆者欣賞了二月二十二日晚的節目,發覺整齣作品編排得當,舞者(尤其是幾位獨舞演員)出彩,呈現一幅饒有趣味的西域舞蹈奇景。...