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[ENG] Le Corsaire Première & NDT 1
Hong Kong Ballet’s major première this season is Le Corsaire (the Pirate). Premièred at the Paris Opera in 1856, this three-act ballet was

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[中] 唯在漆黑正中另覓我天空—評《真.夥能滾者》
一入場便看到六位舞者圍圈而坐,身著黑色武士服。他們的身體訓練背景迥異,但開演前的熱身卻其樂融融,太極、雜技、跆拳道、巴西戰舞等不同的技藝互相嬉鬧遊戲,似乎預示了這會是一場好玩的演出。

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[中]足夠真誠的「編舞家巡禮2017」
香港芭蕾舞團主辦的「編舞家巡禮」系列演出,八個舞作風格多樣,要麼分篇章,講求情緒上的起承轉合,要麼一氣呵成,不給觀者留下任何喘息空間。有些編舞具備中國舞功底,還有一些在作品中糅入現代舞元素,以至於這一場演出看上去多元豐富,且跨界意味濃郁。
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[中]《海盜》港芭舞者踏入成熟期
舞者:魏巍,瑪利亞‧科切特科娃;圖: Conrad Dy-Liacco 《海盜》此劇是在亞洲首演,履新的藝術總監衛承天為香港芭蕾舞團帶來新劇目,令人耳目一新。《海盜》的劇本根據拜倫(Lord Byron)於1814寫成的同名詩作改編,這芭蕾舞劇的故事情節甚為曲折豐富。故事始...

![[ENG] Vipassana review: No zen in too much zen](https://static.wixstatic.com/media/b691b5_df464a00fc3e418d81d9c866c1da84b8~mv2.jpg/v1/fill/w_343,h_229,fp_0.50_0.50,q_90,enc_auto/b691b5_df464a00fc3e418d81d9c866c1da84b8~mv2.webp)
[ENG] Vipassana review: No zen in too much zen
Review from a Dance Enhance 2017 Participant Dance Enhance: Dance Appreciation & Criticism Writing Project 2017 is a four-month course...

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[ENG] Staged Retreat – Vipassana
Yang Yuntao, Artistic Director of Hong Kong Dance Company, has said performing arts are somehow like zen meditation in that they need concen

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[ENG] Vipassana – Hong Kong Dance Company and The Propelled Heart – Alonzo King Lines Ballet
Hong Kong Dance Company presented an ambitious cross art form theatre experience for Hong Kong audiences co-directed by the company’s Artist

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[中]《小王子》以舞蹈向小孩說故事的難處
舞者:麥婉兒;攝:Keith Hiro 編舞兼導演黃狄文說《小王子》是個富思考的故事,希望透過演出令觀眾多角度再看故事,還有將故事介紹給未看過的朋友。作為國際綜藝合家歡2017的節目之一,整個舞蹈演出內容饒有趣味,包括舞蹈、文學、沙畫、動畫和音樂,有這樣豐富的元素才足夠吸引...

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[中] 醬菜滋味—淺談《嶄新歷蹈》
《舞窮》;編舞:楊春江;攝:Mark Lam 日本有一種用質感如黃泥般的米糠醃製的醬菜,藏在密封容器內的米糠醬要不時添加新米糠,也要每天翻搞一下,讓它呼吸一下才不致壞掉。儘管只是餐前菜,米糠醬菜卻是時間與心思的結晶,與其說醬缸用來保存食物不變,不如說是一個安身之所,讓食物隨...

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[中] 新編舊作各有特色
《純生》;編舞:邱加希;攝:Cheung Chi Wai 「舞蹈新鮮人」系列:程偉彬《獨.蝸》、邱加希《純生》 今年由香港舞蹈聯盟製作、康文署主辨的「舞蹈新鮮人」系列,包括程偉彬的《獨‧蝸》與邱加希的《純生》兩個作品,兩者在取材及風格,甚至色彩上都頗不相同,形成了有趣的對比...